convention

Convention: AEP Zaragoza 2013

Issue Number: 
16
After three Italian conventions, Ilan Garibi tries his hand with some Spanish folds, experiences siesta, views an unforgettable exhibition, and meets guests of honor from three different continents.

After three Italian conventions in a row, I knew I had to break the spell they have cast upon me. "So, this year it is Spain" I said. Knowing that the first European Origami Congress would be held a day before and that the exhibition "La Magia Del Papel" presenting the work of both Eric Joisel and Le Crimp would be up and running, I had all the reasons I needed to be in Zaragoza in late April.

Zaragoza

Possibly the oldest Origami association (meetings may have begun as early as the 1950s), Grupo Zaragozano de Papiroflexia, is located here in Zaragoza. This city is all about origami, as you can see in the shops windows—a crane or a modular will decorate many. Moreover, people here are very interested in origami, and for them this convention was covered both by local radio and TV stations.

Being early by a day, I had time to do some sightseeing at the city center. I was overwhelmed by the Basilica of Our Lady of the Pillar and many other sites only a walking distance from the hotel. There are many hobby shops and many interesting papers are sold, with and without patterns.

La Magia Del Papel

One example for the love of the city for origami is this exhibition. Set in the Centro De Historias museum, all floors were dedicated to folded paper. The Crimp group is presenting Arrugado!, which means "crumple" or "creased." In a unique folding technique, they have created an amazing under-the-sea experience, with many mushrooms, strange fish, and huge sheets of crumpled paper. Although this was truly amazing, it was only a warm-up act for the art of Eric Joisel. This is a retrospective exhibition that shows the many stages of development Eric went through. You can see his desktop, and some diagrams, half made models and a large variety of his handigazingwork. I stopped at the musicians for a very long time, seeing these iconic models for the first time. I gazed in awe at Legolas, and I quote Eric: "This is the only model I am satisfied with", mainly because of the super elegant way the unfolded paper makes the cape hanging from his shoulder. You can also see his huge rhino, masks, bottles, horse head, his latest work of Comedy De La Arte, and many more.


Musicians
Musicians by Eric Joisel. Click image to enlarge.



I finished my tour after some long minutes gazing at this model, admiring the perfect proportions with the visible finger prints of his work.


Standing Man
Standing Man by Eric Joisel. Click image to enlarge.



The Convention

With three days, four halls, four guests of honor, 170 guests from 19 countries and 80 classes on the program, it promised to give a great variety of models. Most of them were figurative, in different level and techniques, with dry and wet folding; some classes were about modulars and just a pinch of tessellations. The level of folders was high, and I was surprised to see in my class first time tessellators managing the collapse of my Cubes tessellation without any explanation from me. The same was true for the classes other gave; as you could see the pace was good.

Since we were in Spain, timetables were as is common here—some siesta after lunch, and with the late dinner, at 8:30 or even 9:00 pm, that went into the late night—you could see little origami during those hours. Unlike in Italy, I didn't have any very late night folding sessions.

Moreover, the main difference from my past experience is the fact that the classes are not held in the main hall, but in different rooms. That gives a feeling that you always miss something, and there is just a little action in the main hall, since most of the participants were in the classes.

The guests of honor

Four, not one less, is a big number. Coming from three different continents, they promised an interesting and exciting mix of models and niches, which was delivered!

Victor Coeurjoly, from Madrid, highly surprised me with his mature style. I must say it reminded me of the artwork of Dali, with long lines and no-heads figures. His scope of work is wide, including women, animals, and stick human figures. I joined his Giraffe class and enjoyed seeing how these unique long lines are formed from quite a regular base. To get that, he uses extremely thin paper (in our class it was some kind of a gold coated foil). So talented, and yet he is only 20 years old!


Elephant
Elephant by Victor Coeurjoly. Click image to enlarge.



Walking Man
Walking Man by Victor Coeurjoly. Click image to enlarge.



Carlos Gonzalez, AKA "Halle", from Madrid, too, needs very little introduction. He is a big guy, with a big smile and heart, and you get an immediate feel of welcoming friendship emanating from him. His exhibition table was full of delightful figures, highly colorful, of cartoon stars. I really liked Homer leaning on a Beer bottle!


Halle
Maggie, Bart, Crusty , Road Runner and Koyoti by Halle. Click image to enlarge.



Nicolas Gajardo (27) is another young rising star from Santiago, Chile. His models are full of expressions, with clever color changes, as he explained in the conference room how he designed the White-headed capuchin. Unfortunately, I missed all his classes; a common problem when you have that many options at any given time.


Capuchin
White-headed Capuchin by Nicolas Gajardo. Click image to enlarge.



Last but not least, is Takuro Kashiwamura (23), from Tokyo, Japan. Representing the young group Orist, he humbly presented a variety of super complex models, showing skill and delicacy.


Shishi
Shishi by Takuro Kashiwamura. Click image to enlarge.



Origami

During breakfast, while discussing wildlife issues with Bernie Peyton, he suddenly changed course when a young Spanish folder joined us. Within seconds the conversation shifted to how easy creating models is, and both of us got a flash course for T-rex designing from a napkin.

Late at the first night I won the contest of one-handed-speed-crane-folding but lost the legs-only contest.

During the last dinner I managed to have some quality time with the MFPP president, when I learned her color changing newest flower.

With exhibition tables all around the main hall, the origami permeates the atmosphere. It may not be the most packed tables you have seen, but still, from lamps to earrings, Dassa's miniatures and Camels from camel paper by Saadya, sharks and snakes: all made a delightful view for all who saw them.


Camel
Camel by Saadya Sternberg. Click image to enlarge.



On a side note

The first European origami congress was held on the morning of the first convention day. With participants from many associations, our task was to lay the groundwork for a pan-European cooperation. There is much in common between the many groups, and the idea of synergy began to take shape. It is too early to present concrete steps, but for sure there will be a follow up.

The essence of origami

It's not an easy task to write a review about a convention. Unlike reviews of paper, with known properties and measurements, you cannot break down a convention into the level of food, and difficulty level of classes, multiplied by the number of participants. No, the main issue about a convention is the atmosphere, the air you breathe, the sight you see when you step into a class, the sound of rustling paper, the smile on the hosts' faces, the essence of origami. Here, in Zaragoza, there is definitely a professional touch, you can see that origami is a serious business, and it is treated with respect. And that is a place I would like to be in, again and again. Hola, Spain!!

(Victor's Walking Man by him, all other images by Ilan Garibi)

Convention: Impressions from an International First Timer

Issue Number: 
15

By Kay (HyunKyung) Lee

Impressions of Kay Lee and SeJin Park, first timers from Korea attending the 2012 OrigamiUSA convention in New York City: pre-convention, convention activities, oversized competition, etc.


Figure 1: SeJin Park (12 years old) next to his mother Kay (HyunKyung) Lee


Introduction


I am the mother of SeJin Park, a 12-year-old boy who loves Origami. We live in Seoul Korea. Perhaps you know the place GangNam from the song “GangNam Style.“ Yes! We live there! SeJin started folding when he was 6 years old but at that time he wasn’t too interested in it. However, since a year ago he became crazy about Origami, and he did a good job on his own at home. He folded many models by the great masters. So, as his mother, I started to think more about a wider vision of the world of Origami.

Decision to attend the New York Convention

We have known the Korea Origami Association (KOA) for a short time, and there we learned about the biggest convention in the United States at FIT. Much bigger than the KOA convention (which we participated in a year ago), and it was already fantastic. We found that conventions offer a great opportunity to open your eyes and learn so much about Origami in so many different ways. So, we decided to go to New York in 2012 because it is SeJin's last year as an elementary student, and it is very hard to get free time in middle and high school in Korea.


As we decided to go to New York, I also planned for SeJin to give an Origami workshop at the Children’s Museum of the Arts, where I volunteered my thesis project when I was a student at the Pratt Institute. We knew it would be a good opportunity, participating at the NY convention and giving a workshop at the Children’s Museum of the Arts, but we were anxious since we did not know the language or culture well.


What if we made mistakes with the registration? In fact, as a foreigner we had difficulties with the registration form. We were overwhelmed with so many options and so much information, that it took us several days to read and re-read until we understood well enough to proceed with the registration. After the registration was complete, we were even more anxious. Could we really enjoy the convention? Could SeJin and I understand English well enough? What if SeJin’s Origami works were too humble for the Americans? And how would SeJin feel if they were? Would he be able to give a workshop in English? And so on…


Fortunately I met Marcio Noguchi, a board member of OrigamiUSA, at the Kyushu Origami Convention which was held a month prior to the New York convention. I got some information about New York. We learned about: Origami meetings every Tuesday and Thursday night in downtown Manhattan (run by OMG NYC); the unofficial ‘Paper Tour’ a day before the convention, organized by OrigamiUSA member Linda Yau; and finally, the post convention Fold and Feast hosted by Mark and Arlene Kennedy, which happens about a week after convention. All of them sounded to good to miss!


Since we were used to traveling, I thought that we could overcome jetlag easily. What a mistake! The time difference between Korea and NY is 12 hours, so when it is day in one, it is night in the other. The worst feeling was arriving at exactly the same day and time in the afternoon as when we departed in Korea! We couldn’t sleep on the plane because the plane followed the sun. We fell asleep right after we arrived in our hotel, and then it took us more than a week to overcome jetlag.


Tuesday, June 21st, 2012: OMG - What a fantastic Origami meeting!



Figure 2: Thursday After Work Origami Lovers (AWOL) meeting at Cosi.


We sent a RSVP for the meeting at the Origami Meetup Group (OMG) website. When we arrived, a few people were already there and folding. I found American folders of various age ranges. We introduced ourselves and started folding too. Then, a few minutes later, the table was full with folders. Many were individually repeating simple designs. They explained that it was for the Origami Pin Trade. What a fun idea!



Figure 3: Pin trade preparations


OMG NYC origami meetings happen every Tuesday and Thursday at 7 PM. Sok Song started these meetings about four years ago. He also managed the Origami magazine called ‘Creased’. The meetings are free with attendance ranging from just a handful of folders to more than 15 occasionally. SeJin and I were worried about our first meeting but they all treated us like old friends. They gave us paper then asked to fold paper together. Soon SeJin got used to such an atmosphere. From that day on, we attended all meetings until we went back to Korea. As a result, SeJin started expressing interest in different folding designs.


Friday, June 22nd, 2012: Paper Tour (Thank you, Linda!); the convention begins



Figure 4: Pre-convention paper tour lead by Linda Yau


The convention would start with the registration and exhibition setup on Friday at 5PM. But before that, Linda Yau, a volunteer, guided us to paper stores in Manhattan. Many folders from outside and foreigners (like us) joined the tour. We took the subway and visited several stores that carried different Origami paper in Chinatown and Soho. The tour ended at a bookstore called Kinokuniya, where Sok Song organized the ‘Origami Day’ introducing and teaching Origami.



Figure 5: Origami Day with Sok Song at Kinokuniya


Kinokuniya is a Japanese bookstore in Manhattan where many Origami books and paper can be found. Sok, standing in a black shirt, organizes Origami events, like the Origami Day at Kinokuniya, the Tuesday and Thursday meetings, the Oversized Origami competition at several conventions and managed the Origami magazine, ‘Creased’. He helped SeJin and I in many ways so we thank him.


After the paper tour SeJin and I ran back to our place to get his Origami works. I had registered for an exhibition space on the website to display his works. When we arrived, there were already people gathered at FIT. We set up SeJin’s Origami works at the exhibition space. The exhibition hall was huge, and we could see many fabulous Origami pieces created by famous artists. The exhibition was held in an indoor basketball court so it was quite big. There were works of the guest artists Sipho Mabona and Dennis Walker, in addition to works from Robert Lang, Won Park, etc. There were 62 exhibitors including these artists, but also the Origami by Children (OBC) exhibition, and a space for Origami Artist Trading Card (ATC) trading. We found so many unique designs that it made us think the US has as many artists as it has land scale.


The convention had also different areas like a store for selling books and paper (The Origami Source), auction room, pin trade, accessory sales, etc... It was quite interesting for us because we haven’t seen anything like that before. SeJin was so excited that he couldn’t decide which one to go to first.



Figure 6: The Exhibition room



Figure 7: SeJin’s 3mm x 3mm crane viewed using a magnifying glass.



Figure 8: Folders gathered at the Great Hall, also known as the Hospitality Room.



Figure 9: Class Model display at the Great Hall.


Saturday, June 23rd, 2012: Attending classes


Because we were from abroad, the convention was kind to give us a good priority number for choosing classes. Even though there are many classes, popular classes sold out quickly. There were limits of students per class that ranged from 12 to 15. American friends envied us when the classes sold out one by one. The classes were divided into three levels: simple, intermediate, and complex. The simple classes could take 1~2 hours, intermediate took about 2 hours, and complex took 2~3 hours. So normally attendees could take 2~4 classes a day.



Figure 10: Sipho Mabona’s Rhino class.


SeJin said that all classes were fun but he really enjoyed the informal teachings at the Great Hall. The huge hall space was crowded with people, all of them folding Origami together or simply talking. We had never seen such a scene before, where a large group of people get together for one common interest: Origami! SeJin was a shy boy, and he did not speak English well. Before going to NY, I was worried that he might find it difficult to join people. But there was nothing to worry about. In that hall, there were locals and foreigners at same table, and after a quick “Hi!” they would show their works, give us some paper, and ask us fold something together. In a few seconds, it was as if we were good friends! We had a wonderful time with not only the Americans but also people from many other countries. The classes ended at 5 PM, but no one left FIT. All folders gathered at the Great Hall and they folded and folded and folded… until midnight.


“Please go home and come back tomorrow!” one board member announced to the folders. But they continued folding. Finally one board member counted down 20 minutes before 12 AM, and then people started leaving. SeJin and I also left at that time, but he still wanted to fold some more Origami. Later, we learned about the late night folding where some folders gathered in a room at the FIT Dormitory across the street and folded for a few hours more. We didn’t know that because we stayed at a different place. For me, a non-folder, this was a different and odd world. But for SeJin, as a crazy folder, that was heaven!



Figure 11: The Great Hall.



Figure 12: SeJin and Won Park


Sunday, June 24th, 2012: More classes and oversized competition.


It was the third day of convention. It was even more crowded than the day before. Many people came with their family members. OrigamiUSA officers called class priority number 1000!


We noticed a quiz included in our convention pack that allowed first timers to win a gift as they obtained signatures of various people that fit the description requested in the quiz. For the first timers, it was a good chance to meet new people. A yellow ribbon on the nametag also identified the first timers so that veterans could help them (as a tradition, the first timers all detach that ribbon at the Monday night dinner reception, having completed their first convention). Another fun game was folding some models to tell a story within 10 minutes using Origami. Many children participated, and SeJin’s team won an Origami Source gift certificate.


The Sunday classes were fun but at the end of the day we had a competition of oversized Origami. Applying for the competition was simple and anyone could participate, family or with friends, as long as you applied as a group. Each team was tasked to fold a model from a 3m x 3m (9' x 9') square within 45 minutes. Luckily, Sipho Mabona asked SeJin to join in his team. Then they asked Won Park and Diego Becerra to join as well. They called the team ‘international’, because all were from a different country: Sipho from Switzerland, SeJin from Korea, Diego from Colombia, and Won from Hawaii, USA. What a perfect name! After a long discussion they decided to fold Diego's creative model called ‘Spider on a Leaf’. The competition started with the sound of the whistle, when one of each team members ran to pick a long roll of paper. SeJin was one of them, and he quickly grabbed the gray paper. And then the team of four members ran to the end of the hallway, took their shoes off, and the folding began. They did not know it was going to be so difficult to fold large Origami. It was not easy to turn over or folded it in half. After 15 minutes of intense folding they were all gasping for breath as if they had just finished a 100 meter sprint. Then, after a deep breath they folded carefully. 30 minutes later, many teams were nearing completion. It seemed that our team could not finish in time. Even the audience who just watched was feeling the tension. Fortunately, they end with five minutes left on the clock. The finished model of each team was great because each one had a unique theme. Awards were given in various categories. Best Teamwork, Most bizarre, Most complex, Most original, Best action, Cutest, Most whimsical, Most creative, etc. SeJin’s team won the award called ‘Model the judges would most want to learn how to fold’. They received the longest applause. It seemed to be the best moment for SeJin during this entire convention.



Figure 13: Diego Becerra, Sipho Mabona, Won Park and SeJin Park at Oversized Origami competition



During the Convention, a morning “newspaper” was issued each day. It provided general information about the convention, details about the special guests, the schedule of the day, and picture of the previous day.


Monday, June 25th, 2012 - The last day of convention,… so we folded until dawn


We slept late because we stayed up till midnight at the Great Hall with many folders. Most of the classes on Monday morning were taken when we arrived at FIT. Monday’s classes are workshop on techniques and not on how to fold a particular Origami model. It was difficult to understand how to choose the classes only with the timetable and without sample models.


In the end SeJin decided to take ‘Craft Robo (Craft robo Intro and Workshop)’ and ‘Cut and Tuck Ornament’ while I took lecture classes ‘Introduction about Origami database’ and 'Origami paper cutter'. 'Craft Robo’ is a cutting machine connected to a computer. So the Origami lines would be drawn on the computer, and the cutting machine would score the pre-folding creases. Circle or wave pre-crease lines could facilitate a variety of three-dimensional folding.


On Monday night, the convention dinner party was held. We met a lot of friends and had a great meal. Some of people in the party visited the Convention in Korea the year prior, and some had plans to go Korea. I said that I would help them if they visited Korea, so they were all happy to hear that. Diego from Colombia explained about Convention in his country, Oliver and Susanne from Germany said they would provide accommodation at their house if we visited the German Convention, and Nicolas from France suggested SeJin to come to the Lyon Convention as a complex folder. It was great to meet those who live in other countries and become friends so that we can continue to bond and relate.


After the party was over at 11 PM, we let the building thinking about going back to our place when someone told us to go to the FIT dormitory building to do some more Origami. When we followed them, we found the room used for late night folding. Oh my god! It meant that they continued to fold there after they folded until midnight at the Great Hall. I was thankful that SeJin didn’t know about it until the last day because he is too young to stay up all night. But, on that night he folded with OrigamiUSA friends until 2 AM.


Figure 14: Late night folding


Memories of the Convention on the return home


We did a lot in New York. We participated in many activities, met a lot of new friends and had many experiences. It was much more than just a set of convention classes. It was the relationship with people. SeJin and I were very impressed with all the OrigamiUSA friends’ willingness to help and with great enthusiasm. They were not necessarily lead organizers in any official sense, but they all had pure love towards Origami. It seemed the convention was like a playground or a party to them: like relaxing and resting after work, or the unlikely friendship between a 5 year old boy and a 80 year old grandmother, or having fun until midnight, only to find another place to do more after… These are the unforgettable memories that SeJin and I have from the OrigamiUSA convention in New York.

Editorial: Origami Collections and You

Issue Number: 
14
Thoughts on the work involved in creating and evaluating Origami Model Collections

OUSA collection
OUSA collection

For the last five volumes, I have produced the British Origami Society (BOS) Model Collection (the same type of publication known as the Origami Collection within OrigamiUSA). It is a unique treasure, in origami terms. As well as being a twice-yearly smorgasbord for hungry folders, I think it has greater value than that. What it forms, albeit in a somewhat ad-hoc fashion, is a representative slice of what is happening in the origami world at the time of publication. Whilst old designs should and do feature inside, the majority of designs have been created in the time since the previous Collection.

This allows us to take a step back in time and look at what was “hot and happening” during any given year. We can trace the faltering early steps of those who blossomed into creative talents, as well as admire the “one hit wonders” who have seemed to quickly vanish. Model technique can reflect the current folding styles and trends, whilst diagramming can also reveal the features available in the software packages of the time. When I look at the first computer-drawn diagrams I produced (in the early 90s), they look incredibly dated and unsatisfactory to me!

These collections also represent an extraordinary amount of effort on behalf of the compilers, something that is probably overlooked by those who enjoy them. Chasing up individual folders for designs and permission is a time-consuming activity. Putting out requests for models often brings a fairly desultory response (or so it feels). Designers happily post their models all over the web, but seem unwilling to make the effort to submit their work to collection compilers. The deadlines involved mean that editors are tempted to include work that might not be considered if you had a wider choice available. That's not to say that we include any old rubbish, but in an ideal world, you want to present only the best.

The moral of this is “don’t be shy” – your work, however modest or grand, is important to us and deserves its place in history. It’s almost impossible to guess who a given model will appeal to, but you’d be surprised – something you may feel pales by comparison to the “greats” might just appeal to many people. It’s also slightly selfish (in my humble opinion) to create but not share; if everyone took the same approach, we wouldn’t have origami as we know it today.

Next time you flick through one of these extraordinary Collections, just imagine you had to do the work of creating it yourself. Imagine the time spent cleaning up diagram images, re-arranging the contents to fit better on the given page format, creating indices (both text and images), adapting image formats and scanning hand-drawn diagrams, creating covers, not to mention duplicating, storing and shipping out the Collections. Then with the BOS there's the extra work involved in preparing a pdf version with bookmarks.

Having given it some thought, please consider contributing next time you see a plea going out on the origami-l or in organization's magazine announcements. You are not only sharing your work amongst those who will really appreciate it, but showing appreciation for the faceless teams that assemble them so regularly and lovingly. As well as that, in most all cases you'll get a free copy of the Collection, not something to be overlooked when it's the size (and weight!) of an OrigamiUSA or Tanteidan Collection!

Should you need more folding inspiration, why not purchase some of the earlier Collections? You can buy from OrigamiUSA here and from the BOS here.

-Nick Robinson

Report: East Bay Origami Convention, 2012

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Report: 30th CDO Convention 2012

Issue Number: 
13
Where else can you meet a bee keeper's family, a paper painter/banker, a robotics expert, a math professor, and a brilliant child (aged 14) named Stephano, all with the same passion except at the same hotel, in a small town in Italy...


Tom Hull was a special guest (image - Garibi Ilan).


József Zsebe, another special guest, demonstrated his wet-folding (image - Garibi Ilan).


The shop is always well-frequented (image - Gerwin Sturm).


Double Eagle by Alessandro Beber - from one sheet of paper! (image - Garibi Ilan)


Apart from the workshops lots of smaller folding groups form (image - Dasa Severova).


Naomiki Sato showed us how to fold these beautiful roses (image - Dasa Severova).


Hilli Zenz customizes paper beautifully (image - Garibi Ilan).


Francesco Mancini added an origami puzzle to my collection (image - Garibi Ilan).


József Zsebe wasn't shy to teach even after midnight (image - Boaz Shuval).


Jeremy Shafer, another special guest, teaching his Wearable Elf Ears (image - Garibi Ilan).


Folding modules - a perfect end to a perfect convention (image - Boaz Shuval).



















Before I took off to Milan, Italy, I read an article about a monk, who is supposedly the happiest person on earth. Scientists measured his Alfa brainwaves and discovered his numbers are way above all others they measured. "Well", I thought to myself, "he is probably asleep now, and I am heading to the 30th CDO origami convention in Vicenza, Italy; so the first place is now mine!!!" That was 5 days ago, and now, here I am back in Israel, again in second place, trying to explain to you how going to the Italian convention is the best in the world. Where else can you meet a bee keeper's family, a paper painter/banker, a robotics expert, a math professor, and a brilliant child (aged 14) named Stephano, all with the same passion? What else can bring a Japanese rose lover from France, an Israeli contrabass player from Germany, and the potential president of the International European Origami Association all to the same hotel, in a small town in Italy?

The trip back to Israel took more than 12 hours, so on the way back I managed to purify

The 10 Steps Guide to a Perfect Convention

  1. Timing: Make sure no one else is holding a major convention within a month's span of time, especially not during the expensive holiday season or when the big guys such as OUSA or JOAS are having their conventions. In this case, Nov. 1st - 4th was ideal!
    An editorial note that, while there weren't any of the big name conventions around that time, there were a number of smaller conventions that took place around the same time; namely: the Canadian Convention (Canada, Oct. 5-8), the OrigaMIT Convention (Boston, MA, Oct. 27), the Ultimate Origami Convention (France, Nov. 2-4), the Origami Colombia Convention (Columbia, Nov. 9–12), the JOAS Nagoya Convention (Nagoya, Japan, Nov. 17–19), and the East Bay Origami Convention (Berkeley, CA, Nov. 17–19).

  2. Size: 240 guests (a new record for the locals), 70 of which were international, is the exact number that brings a huge variety while still maintaining a family-like surrounding. With 240 guests you get enough teachers who are willing to share their knowledge and experience to accommodate ten classes at every given time slot. Plus, there are still more wandering around, who you can hunt down for one-on-one-fast-folder-lessons.
  3. Location: All those guests can cozily fit into the great hall of the hotel. All the action including the limited-number-of-participants classes were held in it, and just by standing up and looking all around you, you immediately know what's going on. For example, is Carmen Sprung free to teach you a quick Felix Star lesson? You never feel lost, or worse, feel like you're missing out on something better.
  4. Accommodation: When your room is just three floors above you with breakfast, lunch and dinner all included (with free Parmesan cheese), you cannot fail.
  5. Giveaways: Give your attendees a book by Nilva Fina Pillan; a booklet about 360 degree models by Roberto Gretter; the periodic magazine of the CDO; 222 pages of convention book; and a pack of special patterned papers. Put it all in a shocking green folder, and you get a winner.
  6. Special guests: Not one, nor two, but three. Make one a professor, let him talk about origami and education; ask the next to juggle seven balls while unicycling and presenting his immortal Nail Clippers; and let the third impress you with his unique wet folding style. Specifically, Tom Hull, Jeremy Shafer, and József Zsebe were this year's guests. Lock them all in the main hall, and support an atmosphere that anyone can just stroll to their table and chat, fold, or even teach them a model.
  7. The Shop: The hall to the store was semi-dark. 30 minutes before the official opening time it was already packed with people. I was 15 minutes early, so I waited in the front of the line, holding my position tight, making sure no one would try to overtake me, not conceding even in the shortest break of awareness from my part. Tensions rose, with every clock tick. More and more people came. The stress was almost unbearable. Then a strange sound increased the tension even further. But no, it was a false alarm, just a slight movement of the door handle. One minute after 8:30pm the door was still closed. Someone lost it and broke free with wild shouts (or maybe it was just me, in my head?). And then, on the brink of a savage riot, the door opened. Four steps ahead! Grab the Komatsu book! Yes! Now left! Forward! Four packages of Sato paper. Far right! Faster! 500 sheet pack of Kami. Backwards, spin in place, the Big Sheet table, slow down. - "One of each color, please!" (Smile!) "Thanks, Gabriela!" DO NOT take the Elephant-Hide-Quarter-size-22-Colors Pack. (That was a tough one!) Right! Head on to the cashier! Breathe. And again. I am out, perfect execution, all goals reached!
  8. The 3:00am folding session: I must come forth and tell the truth here - I lost the crown. I am no longer the fastest blind crane folder. But I am the inventor and creator of the flattening machine, which allows you to flatten origami models with one top-down movement of your hand, making all after-convention packing a most simple task. Have you ever tried to make an expressionless face when asked? Try to do it at 3am, around an origami table while folding a waterbomb single-handedly. This would have reached a million views on youtube for sure, if only we'd have had a camera.
  9. The models: Sometimes I get this feeling I have seen it all. What can you surprise me with? And then I saw the Double Eagle by Alessandro Beber. There was a huge explosion of creativity and talent at the Italian convention. Taking a walk to view all the exhibition tables was a joyful experience full of surprises and Wow!-moments. It felt like being part of a champions league.
  10. The people: This aspect needs a full chapter!

It's all about the people

Bottom line and above all, convention is about the people. For some reason (or perhaps for the nine reasons above) all the right people came to this convention. The mix of folders from twelve countries and three continents created a never-ending stream of sparks when folders met each other, spoke, shared, learned, and laughed together.

Matthew Gardiner approached me and wanted to talk. He is an artist most known for his work with origami and robotics, called Oribotics, and meeting him was one of my best moments of the convention. We discussed my metal origami tessellation and he shared with me his technique of pleating fabric. A whole new world of opportunities opened to me just like that!

Naomiki Sato is the son a botanist. His admiration of roses became his main passion in origami. His classes lasted three hours and always while I was giving my own classes. So I had to go undercover and ask for a private, speed-folding, off-schedule class. And yes, some chocolate bars had to exchange hands, but he agreed with a big smile, happy to see yet another admirer get on his knees. When talking to him after this class, I realized how unique and inspiring his way of doing things is: the meticulous refining of the small details, the reality he seeks to achieve, the passion with which he talks about roses and their properties, the amount of love he puts into each one and mostly, and above all, his willingness to share all of that.

I spent a whole lunch with Hilli Zanz, a banker that paints pattern on papers. She wants to make a living out of those papers, and I helped her with the first buy. I just couldn't bear not having them.

I had a laughing explosion with Dasa Severova, Robin Scholz, Alessandro Masiero, and Ricardo while trying by best to make a normal, expressionless face.

I was almost nominated as the President of the International European Origami Association by Krystyna and Wojtek Burczyk, but then breakfast was over and they just went down to fold before giving their final approval.

Francesco Mancini once again showed me his wisdom and generosity by giving me yet another origami-mechanical puzzle hybrid he folded. Speaking of mechanical puzzles, I met my soul sister who came all the way from the USA: Marti Reis, an origami enthusiast and collector of origami puzzles. Well, so am I! There's no better way to come back from an origami convention than with some puzzles as giveaway gifts!

Tom Hull gave me two new ideas for my Origami course. I taught Jeremy Shafer a magic trick with two rubber bands. József Zsebe gave us a post midnight fox class. And then there was this lady from France, who told me whenever she gets the BOS magazine she just loves to read my paper reviews. Now that made me smile for a long time!

Conclusion

On the third day of the convention I stopped for a moment and raised my head. On the far right a guy, dressed as a clown with green paper Elf ears was teaching 20 guys to do the same. Another guy was giving away Ferrero Rocher chocolate balls, asking people to eat them, so they can fold a dress from the wrappers. I myself was folding for the 15th time the same unit for a modular twist ball, after seven hours of folding other models. And it all just seemed normal. "This is the life!" I said to myself, and picked up the 16th paper. I just love Italian conventions!

-Ilan Garibi

Convention: Tanteidan 18 & KOA 3

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Convention 2012: The Daily Fold II

Issue Number: 
10
The second installment of our 2012 convention newsletter, bringing a taste of the New York OrigamiUSA Annual Convention to everyone, twice!

This is the second 2012 installment of the daily fold, our new convention newsletter. Read here for more information about the newsletter along with the first installment of 2012.

Inside this issue, find an abbreviated version of this letter from the President; photos of all sorts of origami hats, the Origami Pin Exchange, Exhibition, Ticketing, Saturday Classes, and the Novelty Competition; information and awards from the Annual Meeting; and diagrams for a special convention model sponsored by Creased magazine.

Origami Pin Exchange

The Origami Pin Exchange was a great success! You can read more about this informal exchange and see more pictures over at the event's facebook page. More than 75 people participated in this pilot program with pin-makers from all over the world. A very popular new activity, expect this exchange to become an annual convention tradition!

Annual Meeting

The Annual Meeting resulted in the reelection of six Board Members and the election of one new Member, Lisa Bellan-Boyer. You can read all 2012 candidate statements here. Minutes for the Annual Meeting will be posted here later in the summer. Additionally, three awards were given at the Annual Meeting: the Ranana Benjamin Award was given to MaryAnn Scheblein-Dawson; the Florence Temko Award was given to Juston Hairgrove; and the V'Ann Cornelius Award was awarded to both Cal Origami and OrigaMIT local area groups. You can read more about all of these awards here.

Saturday Classes

There was a plethora of fantastic classes taught on Saturday. You can find class schedules and photos of some of the models on the 2012 convention website. You can also find a photo of the classes that sold out in the PDF below.

Novelty Competition

Lastly, the Saturday evening Novelty Competition was a show in two acts. The first act was the Story-Telling Competition. For this competition, contestants chose a random set of ten nouns and five verbs and were required to create a story incorporating a subset of these words into a story using origami models. The winning story presented by Rowen Pierick and Jonathan Schneider depicted a zodiac inspired plight of a snake yearning to be a dragon and the dangers of taking advice from owls.

The second act was a novelty competition designed for pairs of contestants. Ten teams were given ten minutes to fold two models that were related to each other in some way. Grand prizes were awarded to two teams: Yuriy Slabicky and Rowen Pierick folded the Titanic ocean-liner and its nemesis, the iceberg; and Jacob Callas and Sejin Park folded an airplane and airport, cleverly entitled Southwest Airlines, a crowd favorite. Honorable Mention was given to Malachi Brown and Jens Kober for their tortoise and hare, complete with reenacted race around the Great Hall. Thanks to everyone who participated!

Click here or on any image for a PDF of the newsletter. We hope you enjoy!







Convention 2012: The Daily Fold I

Issue Number: 
10
This is the first installment of our new convention newsletter, bringing a taste of the New York OrigamiUSA Annual Convention to everyone!

OrigamiUSA has been holding origami conventions for nearly 50 years. Our annual convention in New York City has grown to be the largest gathering in the world of origami enthusiasts and is a fantastic venue to see what other people are doing in origami, learn the latest models, get supplies, and meet folders like you! We know that much of our membership is unable to participate in convention. This year, OrigamiUSA member Sok Song had a fantastic idea to help us bring convention to everyone! This is the first installment of the daily fold, our new convention newsletter, which will be distributed in print during convention, and downloadable for free right here!

Inside this issue, find biographies of our special guests; photos of registration, volunteers, and the model menu; information for The Source, the oversized folding competition, first timers, and PCOC 2013; and diagrams for a special convention model sponsored by Creased magazine. Click here or on any image for a PDF of the newsletter. We hope you enjoy!







Report: BOS "Founders Convention"

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