These classes have been submitted and are in the approval process. Some may not appear on the final schedule.
To fold a model from crease pattern, one would need to locate the points where each fold starts and ends. This is called "reference finding". In this class, I will teach how to: 1) calculate the reference, 2) use the hourglass method to make rational division for boxpleated crease pattern, 3) generalize it to make irrational division for 22.5 crease pattern. The goal is to have participant understand how to make the creases from a crease pattern. We will have some hands-on exercises along the class, so please carry some 6 inch standard origami paper.
We will be folding a complex color change butterfly design. This primary structure is made from non-axial box pleating, and uses a lot of reference-less/judgement folds to achieve accurate color change. The model includes a lot of judgement folds, reverse folds, complex swivel and squash folds, and collapses involving multiple creases simultaneously. I will provide 24cm kami of various colors, but higher quality paper like Wenzhou-tissue is recommended.
We will deep dive into one of the most iconic and expressive models in advanced origami: Eric Joisel's Origami Rat. This class is designed for experienced folders eager to explore the artistic and technical mastery of Joisel’s work. Known for his lifelike sculptures and powerful use of shaping and wet-folding, Joisel’s rat is a perfect example of how origami can bring paper to life.
This dragon was inspired by the work of my friend, Matthew Dunstan, and was created for this year's PCOC theme. The two-piece approach was inspired by the fighter plane designs of Won Park. With some careful folding, it should stand on its own as a handsome tip.
The graceful deer, with its distinctive antlers and long legs, is a lovely subject to fold in origami. Despite the head being shaped very differently from the hind end, this deer is folded from a relatively simple base that has four-way symmetry. The finished piece will stand, unaided, on its own. There is a color change for the belly and tail, but it is not very important for the final piece’s effectiveness.
The Star Tato model can be used to hold small items, but also looks great as a combination “bow” and card on a gift package. The Lady Star makes a nice hanging ornament. Both look good in duo paper and require some interesting swivel folds. The Lady Star has a twist fold that may be challenging for some but creates one of those fun origami moments when things magically fall into place.
We're going to fold a Horse of course! Let's saddle up and have ourselves a rodeo with this 2-unit Horse. We will work on a double-layered crimp which is the hardest step in this design, but we should be sittin' by the campfire watchin' John Wayne in no time! You will be required to name your Horse. Please think about this carefully in advance!
In this class we will fold George Rhoads' classic elephant model using modified steps from Samuel Randlett's The Best of Origami. One modification option will be a color change of the tusks which was first shown to me by a former student.. In my opinion, this model is the pinnacle of achievement of the classic origami style.
George Rhoads (USA 1926 - France 2021)
“I consider my Elephant to be the most perfect of my foldings with regards to economy of means.”
An introduction to origami design centered on a live design demonstration using box-pleating. After introducing basic design theory, Chris will design and fold a new original model live and unscripted based on an audience prompt, talking through his process as he works. A good class for those interested in learning both the basics of box-pleated origami design and some advanced techniques. Participants are welcome to fold along with Chris and ask questions.
I will tell a story while folding a model, then repeat it with class participation. The class will consist of 3 models:
Mother Nature in Spring, taught many years ago by Gay Merril Gross, I will be teaching it in her memory.
Hot Chocolate, created by Shelley Handen.
Fox created by Mitsuo Okuda.
This is a three day commitment.
Saturday - We will learn how to fold the cube.
Sunday - We will learn how to position the magnets in the cube. Note that part 2 of the class will have a $15 fee for the magnets.
Monday - We will glue the “stickers” on the Rubik’s Cube. There will be a special session Sunday evening if you miss one of the first two sessions.
REWARD: Anyone who finishes the Magnetic Rubik’s Cube during the convention gets $40 cash! Just see me!
This is a three day commitment.
Saturday - We will learn how to fold the cube.
Sunday - We will learn how to position the magnets in the cube. Note that part 2 of the class will have a $15 fee for the magnets.
Monday - We will glue the “stickers” on the Rubik’s Cube. There will be a special session Sunday evening if you miss one of the first two sessions.
Today there is a $15 charge for 108 magnets and a “complete kit “ to finish the Rubik’s Cube.
This is a three day commitment.
Saturday - We will learn how to fold the cube.
Sunday - We will learn how to position the magnets in the cube. Note that part 2 of the class will have a $15 fee for the magnets.
Monday - We will glue the “stickers” on the Rubik’s Cube. There will be a special session Sunday evening if you miss one of the first two sessions.