These are articles posted by The Fold editor bugfolder (who may or may not be the author; see byline for authorship). The Fold is the online magazine for members of OrigamiUSA. New articles are posted continuously over the two month period of each issue. To contribute to The Fold or for other questions, please see our FAQ.
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by Thomas Cooper
There is a family of geometric solids, one of which is illustrated in a famous engraving by Albrecht Dürer, that poses some interesting origami challenges.
The realm of model names in origami is complex, yet is often overlooked. This article discusses the matter through particular cases, personal experiences, and conversations with other origamists.
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by Alice Gray
"Telephone origami," taught by verbal directions alone, is a long-lost art. One of the best examples is Alice Gray's rendering of Fred Rohm's iconic Star of David moneyfold, originally published in The Origamian.
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by Thomas R. Crain
This article explores several variations in a square twist crease pattern that may be achieved simply by varying the mountain/valley assignment of the same underlying crease pattern.
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by Troels Højer Jensen and Hans Dybkjær
In origami we frequently need to find an \(n\)th of a paper, often in order to divide it into an \(n \times n\) grid. This article generalizes a common technique for finding references and provides some insight into the geometric properties of paper.
The origins of origami in Japan are lost in the mists of history, but we have surprisingly good records of paper-folding from over a thousand years ago in pre-Columbian Mesoamerica.
Curved-crease origami can be designed by considering the properties of ruling lines, lines on the crease pattern that remain straight in the 3D folded form. This technique was developed by David Huffman, who identified conic section curves has being particularly suitable for curved-crease designs. Two examples using ellipses are given as crease patterns.