Articles for keyword: crease patterns

Diagrams/CP for a delightful triple heart with color change from a 2:1 rectangle of duo paper.

Nicolas Terry offer members only an opportunity to fold Chien Tim in celebration of Lunar New Year of the Dog: a complex model for those of you seeking a challenge.

Here is Distorta2016 by Alessandro Beber.

This articles shows how to construct arbitrary square grids via folding alone, using Haga's First Theorem.

An exploration of a propeller tessellation formed from standard square twists.

This article explores several variations in a square twist crease pattern that may be achieved simply by varying the mountain/valley assignment of the same underlying crease pattern.

Building Block Units (BBU) are a new family of modular origami units, with over one hundred different interlocking module designs.

A progressive crease pattern for a box-pleated house with latticed windows by Clifford Jones.

Two 3D tessellations: a brick wall and an octahedral-tetrahedral truss network.

Curved-crease origami can be designed by considering the properties of ruling lines, lines on the crease pattern that remain straight in the 3D folded form. This technique was developed by David Huffman, who identified conic section curves has being particularly suitable for curved-crease designs. Two examples using ellipses are given as crease patterns.

A crease pattern for a box-pleated dragonfly.

This month's crease pattern folds a symmetric subject on an inherently unsymmetric base.

A rotationally symmetric solid curved fold, folded from a regular hexagon.

The Zipper Tessellation is a good starting point for many variations, such as the Zipper Ring and Vase, presented here with crease patterns and some diagrams.

Tubis and Pooley explore \(n\)-sided generalizations of the masu and one of its many decorative-lids. Detailed video instructions are provided at the Origami Player site.

This wave model is fun to fold and has a lot of math in it!

This paper presents a crease pattern for one-cut double happiness.

A rotationally symmetric geometric shape, folded from a hexagon, based on Jeannine Mosely's "Bud".

This article describes techniques for finding reference points for models with square root of two ratios which are commonly found in 22.5 degree designs.

The addition of curvature introduces some situations which conventional crease patterns are not good at dealing with. I present some ideas for incorporating surface curvature into crease patterns, and discuss why I chose these schematics.

With many tessellations, the obvious way to design the crease pattern doesn't necessarily result in a foldable pattern. By adding extra creases to the pattern, you can sometimes find an alternate way to the finished form, as you'll see in this geometric pattern.

Finishing up the discussion about crease patterns, focusing on audience considerations and the use of crease patterns as a sequenced element.

The first in a series, analyzing crease patterns. In this article, we take a big picture look at a Werewolf designed by <a href="http://www.flickr.com/photos/53465278@N02/" target="blank">Jacob Rossman</a>.

This crease pattern introduces a new form of uniaxial base design, called <i>hex pleating</i> and describes how to use technique technique.

A review of a book which pays tribute to the inspiring and unrivaled legacy of one of origami's greatest masters.

Follow the design of this uniaxial box-pleated design from start to finished, fully assigned crease pattern. Then try your hand at folding it.